MARIESCHI, Michele
Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,
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MARIESCHI, Michele Buildings and Figures Near a River with Shipping oil painting


Buildings and Figures Near a River with Shipping
mk170 1735-1743 Oil on canvas 60.7x91.8cm
Painting ID::  43265 		MARIESCHI, Michele
Buildings and Figures Near a River with Shipping
mk170 1735-1743 Oil on canvas 60.7x91.8cm
   
   
     
MARIESCHI, Michele The Grand Canal at San Geremia - Oil on canvas oil painting


The Grand Canal at San Geremia - Oil on canvas
54 x 82 cm Private collection Artist: MARIESCHI, Michele Painting Title: The Grand Canal at San Geremia , 1701-1750 Painting Style: Italian , , landscape
Painting ID::  63054 		MARIESCHI, Michele
The Grand Canal at San Geremia - Oil on canvas
54 x 82 cm Private collection Artist: MARIESCHI, Michele Painting Title: The Grand Canal at San Geremia , 1701-1750 Painting Style: Italian , , landscape
   
   
     
MARIESCHI, Michele trapphuset i ett renassanspalats oil painting


trapphuset i ett renassanspalats
olja på duk 36x55 se
Painting ID::  69127 		MARIESCHI, Michele
trapphuset i ett renassanspalats
olja på duk 36x55 se
   
   
     
MARIESCHI, Michele The Rialto Bridge from the Riva del Vin oil painting


The Rialto Bridge from the Riva del Vin
1740(1740) Medium Oil on canvas transferred from wood cyf
Painting ID::  87831 		MARIESCHI, Michele
The Rialto Bridge from the Riva del Vin
1740(1740) Medium Oil on canvas transferred from wood cyf
   
   
     
MARIESCHI, Michele The Rialto Bridge from the Riva del Vin oil painting


The Rialto Bridge from the Riva del Vin
circa 1740(1740) Medium Oil on canvas transferred from wood cyf
Painting ID::  97330 		MARIESCHI, Michele
The Rialto Bridge from the Riva del Vin
circa 1740(1740) Medium Oil on canvas transferred from wood cyf
   
   
     
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     MARIESCHI, Michele
     Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,

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